论王安忆新世纪小说的性别视野

发布时间：2018-03-31 04:31

本文选题：王安忆　切入点：新世纪小说　出处：《郑州大学》2017年硕士论文

【摘要】：新世纪以来,一方面王安忆继续专注于女性叙述,从审美价值层面展现了女性日常生活图景。从《富萍》到《天香》,王安忆在历史和当下间穿梭,对日常生活的诗性观照和女性命运的深切关怀成为作家的写作自觉。另一方面,她又试图向男性世界开掘,剖析日常生活的层层肌理,以《匿名》等探问男性的精神世界,思索成长、生存乃至文明等问题。王安忆的新世纪文本中因此呈现出钟摆式游走的性别叙述姿态,一端是向来擅长的日常审美与女性写作,展现了富萍、秧宝宝、郁晓秋以及申家女子等为代表的生命姿态和日常情感。一端则以男性作为思想开掘的主体,并尝试抽象写作的复归和上下求索。王安忆对理性世界和精神层面进行探索,以逻辑推理再造“心灵世界”的小说理想,以更宏观的思维思考现代文明发展进程中的问题。王安忆新世纪文本的性别叙事转换,与其开阔的性别视野、独异的性别叙述理念有很大关联。在她看来,女性在生活方面有着天然的优势和审美性,小说的意义就在于表现它。王安忆小说创作观念的审美转向,使她将审美眼光注入日常并发掘美。而男性更具社会性、后天性、再造性特征,承担更重的社会责任。王安忆承认两性差异,能以更平和、理性的心态面对两性写作,这既是对既有女性文学叙述的思想超越,也洋溢出更为平和理性、开阔的人文情怀。本论以王安忆的新世纪小说为研究对象,以性别视野为切入点。绪论部分首先从新世纪以来的创作风貌出发,以性别叙述为切入点,对其研究现状、研究价值意义以及研究方法进行概述。第一章从日常审美的角度对其中的女性文本进行分析,展现了日常生活图景的审美性。基于王安忆在新世纪以来文本中呈现出不同以往的对男性的关注,第二章则着重对其中男性精神成长和文明之思进行剖析。第三章则从王安忆塑造的两性形象出发,力图探究她的性别视野和写作立场及其意义所在。
[Abstract]:Since the new century, on the one hand, Wang Anyi has continued to focus on women's narration, showing a picture of women's daily life from the aspect of aesthetic value. From "Fu Ping" to "Tian Xiang", Wang Anyi shuttles between history and the present. The poetic reflection of daily life and the deep concern for the fate of women become the writer's writing consciousness. On the other hand, she tries to dig into the male world, analyze the layers of texture of daily life, and inquire into the spiritual world of men with Anonymous. Thinking about the problems of growth, survival and even civilization, Wang Anyi's text for the new century thus presents a pendulum sex narrative posture. One end is the daily aesthetic and female writing that he has always been good at, showing Fu Ping and Yang Bao. Yu Xiaoqiu and Shenjia woman are the representatives of life posture and daily emotion. At one end, men are the main body of thinking, and they try to recover and search for abstract writing. Wang Anyi explores the rational world and spiritual level. Reconstructing the novel ideal of "mind World" by logical reasoning, thinking about the problems in the course of modern civilization development with more macroscopic thinking. The gender narrative transformation of Wang Anyi's text in the new century is more open to the gender perspective. In her opinion, women have natural advantages and aesthetic qualities in life, and the significance of the novel lies in its expression. While men are more social, acquired, reinvented, and assume greater social responsibility. Wang Anyi acknowledges gender differences and is able to write in a more peaceful and rational manner. This is not only the transcendence of the thought of both female literature narration, but also the more peaceful, rational and open humanistic feelings. This theory takes Wang Anyi's novel of the new century as the object of study. The first part of the introduction starts from the creative style and features of the new century, takes the gender narration as the breakthrough point, and studies its present situation. The first chapter analyzes the female texts from the perspective of daily aesthetics. It shows the aesthetic nature of the daily life picture. Based on Wang Anyi's different attention to men in the text since the new century, The second chapter focuses on the male spiritual growth and the thought of civilization, the third chapter tries to explore her gender perspective, writing position and its significance from the image of both sexes created by Wang Anyi.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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