爵士乐即兴演奏中关于五声音阶的离调演奏方法探究

发布时间：2018-04-15 19:59

本文选题：爵士乐 + 即兴演奏　；参考：《天津音乐学院》2017年硕士论文

【摘要】：爵士乐是以即兴演奏为主的乐种,于20世纪20年代初的美国新奥尔良,后经过不断发展其表演形式和音乐风格也越来越明显,越来越成熟。在演奏过程中,演奏者通常会在主题之后根据乐曲和声进行即兴演奏,其即兴语汇的来源就是不同的调式音阶,而五声音阶虽然结构简单(由五个音组成),可正是其简单的结构增加了其离调的可能(音越少调性越不固定),诸多爵士音乐家习惯用五声音阶作为离调演奏的成分之一。笔者将着重依据与五声音阶运用关系最为紧密同样也为爵士乐即兴演奏最常用的和弦替代方法来探究五声音阶的离调演奏方法与实际应用。使演奏者打开思路丰富爵士语汇并灵活运用掌控的乐器,这样以来演奏者所演奏的音乐也会变得更加丰富饱满。
[Abstract]:Jazz is a kind of music which is mainly impromptu. In the early 1920s, New Orleans, America, after the continuous development of its performance form and music style is more and more obvious, more and more mature.In the course of playing, the performer usually improvises after the theme according to the harmony of the music, whose impromptu words come from different tone scales.Although the structure of pentatonic scale is simple (composed of five tones), it is its simple structure that increases the possibility of its detuning (the less the tone, the more indeterminate the tone, the more jazz musicians are accustomed to use the pentatonic scale as one of the components of the detuning performance.Based on the most closely related to the use of pentatonic scale and also the most commonly used chord substitution method for jazz improvisation, the author will explore the method and practical application of the off-tune playing of the pentatonic scale.Let the player open up the jazzy vocabulary and use the controlled instrument so that the music he plays will become richer and fuller.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J613.6

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