吐蕃政权时期西藏工艺美术研究

发布时间：2018-04-23 02:08

本文选题：吐蕃政权时期 + 工艺美术　；参考：《西藏大学》2017年硕士论文

【摘要】：吐蕃,尤其是在松赞干布建立统一的政权之后,与周边国家和地区交流更加频繁。社会发展水平空前提高,在我国藏民族的形成与发展史上具有划时学的意义。论文在国家提倡“工匠精神”“丝绸之路”精神的影响下,立足西藏,以工艺美术为出发点结合古丝绸之路,完成吐蕃政权时期西藏工艺美术的研究。以马克思主义唯物史观为指导,借鉴考古学、历史学、美术学、美学、人类学、社会学的方法和理论作为文章的研究方法。首先从吐蕃政权时期所处的文化背景、政治背景、经济背景,介绍当时的吐蕃,还原吐蕃政权时期的历史原境,推断当时各种工艺美术品类存在的可能性,借鉴专家学者的分类标准对吐蕃政权时期的工艺美术进行分类。然后,按照工艺美术品类的不同,根据所收集资料,从工艺起源,工艺品的纹样、造型等方面重点研究金属、织物工艺美术。并对陶器、编织、漆器、木器等其他工艺品的工艺特征,装饰风格等做了简要梳理。吐蕃政权时期,吐蕃在亚洲甚至世界都具有一定影响力。吐蕃在经济、政治、文化等方面与周边国家和地区交流频繁,但是在经济方面的交流影响最为深远。论文在厘清吐蕃政权时期的工艺美术主要品类之后,研究当时工艺美术形成的风格特征。针对吐蕃政权时期工艺美术的风格特征,论文除了根据史料记载和其他学科的理论知识辩证分析以外,更多的还是根据已经出土的文物、石窟壁画、传世画作等资料进行分析。但是因为各种原因,吐蕃政权时期的陵墓并没有完全进行挖掘研究,已经挖掘的陵墓中的文物资料丢失严重。所以根据有限的考古资料,论文分析出的当时的工艺美术的风格特征很有可能并不准确。在提倡“工匠精神”和“一带一路”经济发展战略的今天,西藏作为古学“丝绸之路”的一部分,“吐蕃丝绸之路”的必经之地,研究吐蕃政权时期西藏工艺美术的发展无论是对西藏传统工艺美术的发展传承,还是对现在西藏经济的发展都具有重要研究价值。
[Abstract]:Tubo, especially after the establishment of a unified regime, exchanges with neighboring countries and regions more frequent. The unprecedented improvement of social development level has the significance of chronology in the formation and development of Tibetan nationality in China. Under the influence of "craftsman's spirit" and "Silk Road" advocated by the state, this paper bases itself on Tibet and combines the ancient Silk Road with arts and crafts to complete the study of Tibetan arts and crafts in the period of Tubo regime. Under the guidance of Marxist historical materialism, the methods and theories of archaeology, history, art, aesthetics, anthropology and sociology are used as the research methods of the article. First of all, from the cultural background, political background and economic background of the period of the Tubo regime, introducing the Tubo period, restoring the historical origin of the period of the Tubo regime, inferring the possibility of the existence of various kinds of arts and crafts at that time, Using the classification standard of experts and scholars to classify the arts and crafts in the period of Tubo regime. Then, according to the different categories of arts and crafts, according to the data collected, from the origin of craft, handicraft patterns, modeling and other aspects of metal, fabric arts and crafts. And the pottery, weaving, lacquer, wood and other handicraft craft features, decorative style and so on made a brief combing. During the Tubo regime, Tubo had some influence in Asia and even the world. Tubo exchanges frequently with neighboring countries and regions in economy, politics and culture, but it has the most profound influence on economy. After clarifying the main categories of arts and crafts in the period of Tubo regime, this paper studies the stylistic characteristics of arts and crafts at that time. In view of the style characteristics of arts and crafts in the period of Tubo regime, in addition to the dialectical analysis of historical records and theoretical knowledge of other disciplines, the paper is more based on unearthed cultural relics, cave murals, paintings handed down and other materials. However, due to various reasons, the tombs of the Tubo regime were not fully excavated, and the cultural relics in the excavated tombs were seriously lost. So according to the limited archaeological data, the stylistic features of the arts and crafts at that time may not be accurate. Today, with the promotion of the "craftsman spirit" and "Belt and Road" economic development strategy, Tibet is regarded as a part of the ancient "Silk Road" and a necessary place for the "Tubo Silk Road". It is of great value to study the development of Tibetan arts and crafts in the period of Tubo regime, whether it is the inheritance of Tibetan traditional arts and crafts, or the present development of Tibetan economy.
【学位授予单位】：西藏大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J509.2

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