琵琶故事演变研究

发布时间：2018-04-24 04:18

本文选题：《赵贞女蔡二郎》 + 《琵琶记》　；参考：《郑州大学》2017年硕士论文

【摘要】：从宋元戏文《赵贞女蔡二郎》到明初高明《琵琶记》再到清代花部戏曲《赛琵琶》、《陈世美休妻》、《铡美案》等,是负心婚变主题的琵琶戏在不同时期不同阶段演变的重要剧目。本文探讨琵琶故事在不同时期的流传,通过对不同时期代表性的琵琶故事剧目进行比较,探寻琵琶故事的演变及其背后的原因,以期对当代戏曲的改编具有借鉴意义。本论文分为四个章节,第一章探讨琵琶故事源流。通过对琵琶故事进行寻根探源,得出琵琶故事最初来源唐人小说,后来经过民间传唱,把蔡伯喈与五娘两个人物相结合,并加入新的人物,使琵琶故事由单一的故事内核,逐渐丰富。第二章探讨明清琵琶故事的改编。本章以高明的《琵琶记》为对象,从主题、人物两个方面进行分析,探讨高明《琵琶记》对宋元戏文《赵贞女蔡二郎》的继承与突破。同时与清代花部戏《赛琵琶》进行比较,从《琵琶记》到《赛琵琶》,琵琶故事演变过程中,《赛琵琶》对高明《琵琶戏》的突破。第三章探讨近代各地琵琶戏的演出。琵琶故事流传到近代,被改编成了不同的版本。有川剧《铡美案》、河北梆子《秦香莲》、新编京剧《香莲案》等,还有不同版本的折子戏。本章从故事情节上和人物形象上两个方面,对不同版本的琵琶戏进行比较,分析各版本琵琶戏的不同之处。第四章探讨琵琶故事演变的背后原因。本章通过归纳琵琶故事演变过程中的特征,分析琵琶故事流传过程中被一直关注并不断改编的原因。由于受到传统固有观念的影响,以及时代背景的影响,琵琶故事在演变过程中发生了改变,以及它流传过程中的改变对后世戏曲的改编是有借鉴意义的。琵琶故事在演变过程中,人物形象和主题思想发生了改变,宣扬了不同的时代意义。
[Abstract]:From Song and Yuan Opera text "Chaozhen Girl Cai Erlang" to Gao Ming "Pipa Story" in the early Ming Dynasty, to the Flower Opera of Qing Dynasty "PIPA", "Chen Shimei's repudiation of wife", "the case of guillotine" and so on, it is an important repertoire that the pipa drama with negative heart and marriage theme evolves at different stages in different periods. This paper probes into the spread of pipa stories in different periods, and through the comparison of the representative repertoire of pipa stories in different periods, probes into the evolution of pipa stories and the reasons behind them, in order to provide reference for the adaptation of contemporary operas. This thesis is divided into four chapters. The first chapter discusses the origin of the pipa story. By searching for the source of the pipa story, it is concluded that the original source of the pipa story was the novels of the Tang people, and later through folk songs, the two characters of Cai Po-chih and the five Niangs were combined, and new characters were added, so that the pipa story became the single core of the story. Gradually enrich. Chapter two discusses the adaptation of pipa stories in Ming and Qing dynasties. This chapter takes Gao Ming's Pipa as the object, from the theme, the character two aspects carries on the analysis, probes into Gao Ming's pipa to Song and Yuan Dynasty drama text "Chaozhen daughter Cai Erlang" the inheritance and the breakthrough. At the same time, compared with the Huabe Opera of Qing Dynasty, from the Story of Pipa to the Story of Pipa, the PIPA broke through Gaoming's PIPA. The third chapter discusses the performance of pipa opera in modern times. The pipa story spread to modern times and was adapted into different versions. There are Sichuan opera, guillotine case, Hebei Bangzi, Qin Xianglian, new Peking Opera, Xianglian case, and different versions of Xianzi Opera. This chapter compares different versions of pipa drama from two aspects of story plot and character image, and analyzes the differences of different versions of pipa drama. Chapter four discusses the reasons behind the evolution of pipa stories. This chapter summarizes the characteristics of the evolution of the pipa story, and analyzes the reasons why the pipa story has been concerned and adapted constantly in the course of its spread. Due to the influence of the traditional concept and the background of the times, the pipa story has changed in the process of evolution, and the change in its spread is of significance to the adaptation of later generations of opera. In the course of the evolution of pipa stories, the characters' images and theme ideas have changed and propagated different meanings of the times.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.37;J809.2

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