唐代宫廷音乐机构的音乐教育考略

发布时间：2018-04-25 12:31

本文选题：唐代音乐 + 教育思想　；参考：《西安音乐学院》2017年硕士论文

【摘要】：文章选取唐代宫廷音乐机构中的音乐教育为题进行深入的探讨和研究。笔者自身对历史学科有着浓厚的兴趣,所以将自己研究生阶段的研究方向定为音乐教育史研究,笔者在西安音乐学院进行了长达七年时间的学习,同时在西安这座城市生活了七年。西安作为唐时的都城,耳濡目染,笔者开始对唐代音乐教育历史产生兴趣并进行研究。众所周知唐代的音乐文化高度发达,究其原因与其当时文化繁荣的大背景是分不开的,兼有统治者的重视和政策的支持,促使了唐代的音乐文化达到一个历史的巅峰。从教育的角度来说,唐代音乐文化的发达离不开教育的传承。笔者将文章的整体脉络分为四个部分来论述:第一部分,笔者分析了唐代宫廷音乐机构的太乐署、鼓吹署、教坊和梨园四个主要音乐教育活动场所,从这些机构对于宫廷乐人教育的内容及形式分析出唐代宫廷音乐机构的音乐教育思想并进行归纳阐述;第二部分笔者将这四个主要的宫廷音乐机构进行了详细的梳理并且将它们展开分析表述;第三部分,笔者通过对唐代宫廷音乐机构对比研究,总结出唐代宫廷音乐人才的培养模式;第四部分,笔者通过长时间的研究、整理和归纳,总结出唐代宫廷音乐教育对我们现代音乐可以继承积极因素。其中文章的重点章节为第一和第四部分。笔者在研究过程中,阅读了一定量的古代文献,摘出其中的原文作为文章论点的论据,极大的增加了文章的可信度和科学性。我国古代的音乐教育以伦理教育为主,从孔子的教育方针中可以发现端倪,音乐教育为统治阶级服务的特性也非常明显。但是,在唐朝,尤其是盛唐时期,文化的繁荣达到历史的顶峰。在历史发展的过程中,政治体制没有变化,但是文化经济却发生了翻天覆地的变化。这其中,音乐文化有一个非常明显的转变,就是伦理作用的淡化和娱乐性的加强,这也是本篇文章的一个创新点。虽然音乐文化没有改变为统治阶级服务的本质,但是在服务的过程中,音乐职能的转变却非常的耐人寻味,从一些方面也能够反映出社会的变化。笔者通对于这种音乐的伦理教化转向娱乐功能的过程将进行深入的研究和探讨。
[Abstract]:The article chooses the Tang Dynasty palace music organization music education as the topic carries on the thorough discussion and the research. The author has a strong interest in the history of history, so he chose his postgraduate study as the history of music education. The author studied in Xi'an Conservatory of Music for up to seven years. He also lived in Xi'an for seven years. Xi'an, as the capital of Tang Dynasty, became interested in the history of music education in Tang Dynasty. It is well known that the music culture of the Tang Dynasty is highly developed, the reason is inseparable from the cultural prosperity at that time, and the importance and policy support of the rulers promoted the music culture of the Tang Dynasty to reach a historical peak. From the point of view of education, the development of music culture in Tang Dynasty can not be separated from the inheritance of education. The author divides the whole context of the article into four parts: the first part, the author analyzes the four main music education venues of the Tang Dynasty palace music organization, such as Tai-Le Office, Advocate Department, Jiefang and Liyuan. From the content and form of the education of the palace music people in these institutions, the music education thought of the court music organization in the Tang Dynasty is analyzed and summarized. In the second part, the author combs the four main court music organizations in detail and analyzes them. In the third part, the author makes a comparative study of the court music institutions in the Tang Dynasty. The fourth part, the author through a long time of research, collation and induction, summed up the Tang Dynasty palace music education to our modern music can inherit positive factors. The key chapters of the article are the first and fourth parts. In the course of the study, the author read a certain amount of ancient documents, picked out the original text as the argument of the article, which greatly increased the credibility and scientific nature of the article. The ancient music education of our country is based on ethics education. From the educational policy of Confucius, the characteristics of music education serving the ruling class are very obvious. However, in the Tang Dynasty, especially in the prosperous Tang Dynasty, the cultural prosperity reached its historical peak. In the course of historical development, the political system has not changed, but the cultural economy has undergone earth-shaking changes. Among them, there is a very obvious change in music culture, that is, the dilution of ethical role and the strengthening of entertainment, which is an innovative point of this article. Although music culture has not changed the nature of service for the ruling class, but in the process of service, the change of music function is very intriguing, from some aspects can also reflect the changes of society. The author will deeply study and discuss the process of turning the ethical education of this kind of music to entertainment function.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J609.2

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