清末民国髡残艺术接受研究

发布时间：2018-05-02 08:58

本文选题：髡残 + 艺术接受　；参考：《江苏大学》2017年硕士论文

【摘要】：“四画僧”中的髡残是中国绘画史上越来越受人瞩目的艺术文本,也是古典传统画和近现代山水画研究中颇受关注的艺术个案。髡残出生于明万历壬子,早年由于种种原因突然削发为僧,专心佛道,以后客居南京勤习画事,直至终老。髡残擅长山水,笔墨高古,意境幽辟,尤其是他将山石敏感处理成具有肌理的质感,所呈现的光影效果更具现代性。清初时髡残的艺术和人格曾备受时人推崇,到了清中期则无相关的记载和描述,直至清末民国方重新被人解读和接受,可谓经历大起大落的一个被接受的过程。本文试图通过接受美学的基础研究方法,以髡残艺术为解读文本以及清末民国时相关艺术家对其直接或间接接受现象为关注点,并运用文献学和图像分析法等对其作品予以梳理和归纳。首先,本文从髡残艺术这一文本研究出发,试图还原髡残绘画在其生前的真实社会地位,梳理髡残由“二溪”、“二石”到“三高僧”再到“四画僧”等概念的变迁历程,重点研究“四画僧”在清末民国时极高社会地位的时代因素。其次,主要研究清末民国时期的画坛生态,从金石画风的兴起、中西绘画的融合到商业文化的深度影响,寻找出当时文化思想中有关“残缺美”的“政治正确”,并研究髡残在清末民国的艺术再接受现象,以揭示该接受变迁之缘由。再次是关于髡残绘画接受的地域和受众的研究,将髡残生前的活动范围与清末民国时再次被接受的区域进行学理分析,重点探究曾熙、萧俊贤、张大千、黄宾虹、黄君璧、黄秋园等人相关的绘画作品与髡残绘画作品的艺术关联。最后将清末民国髡残被接受的相关文献总结列表。再者,笔者也将清末民国这段时期画论家对髡残的再接受进行梳理、分析和总结,本文尤其是民国初年佛教文化的兴盛与社会思潮,也影响了“四画僧”艺术的兴起。发掘出由清初到民国三百余年里文人墨客审美思想的变迁历程,印证出对髡残再接受的时代意义。
[Abstract]:The disabling of the four painting monks is a more and more attractive art text in the history of Chinese painting, and it is also an art case that has been paid close attention to in the study of classical traditional painting and modern landscape painting. In his early years, he was suddenly cut off as a monk for a variety of reasons, absorbed in Buddhism, and later settled in Nanjing to study painting, until his old age. He is good at mountains and rivers, his pen and ink are high and ancient, his artistic conception is secluded, especially his sensitive treatment of mountains and rocks has texture texture, and the effect of light and shadow is more modern. At the beginning of Qing Dynasty, the disabled art and personality were respected by people of the time, but in the middle of Qing Dynasty, there were no relevant records and descriptions, until the late Qing Dynasty and the Republic of China were reinterpreted and accepted, which can be described as an accepted process of great ups and downs. Through the basic research method of receptive aesthetics, this paper attempts to take the art of handicap as the interpretation of the text and the direct or indirect reception phenomenon of the artists in the late Qing Dynasty and the Republic of China. And the use of philology and image analysis to comb and sum up his works. First of all, this paper tries to restore the real social status of the painting from "Erxi", "Ershi" to "Sanshang" and then to the "four painting monks" from the text study of the art of disabling, trying to restore the real social status of the painting before his death. Focus on the "four painting monk" in the late Qing Dynasty and the Republic of China extremely high social status factors. Secondly, it mainly studies the ecology of painting world in the late Qing Dynasty and the Republic of China period. From the rise of the painting style of gold and stone and the deep influence of Chinese and Western painting to the commercial culture, it finds out the "political correctness" of the "incomplete beauty" in the cultural thought of that time. In order to reveal the reason of the change of the acceptance, this paper studies the phenomenon of art reacceptance in the late Qing Dynasty and the Republic of China. Thirdly, it is about the study of the region and the audience of the acceptance of his paintings. The scope of his activities before his death and the area that was accepted again in the late Qing and Republic of China were analyzed theoretically, focusing on Zeng Xi, Xiao Junxian, Zhang Daqian, Huang Binhong, Huang Junbi, Huang Qiuyuan and other related painting works and the artistic connection of the painting works. Finally, the last part of the Republic of China is accepted as a summary of relevant documents. Furthermore, the author also combs, analyzes and summarizes the re-acceptance of the "four painting monks" in the period of the late Qing Dynasty and the Republic of China. This article, especially the prosperity of Buddhist culture and the social trend of thought in the early period of the Republic of China, has also affected the rise of the "four painting monks" art. From the beginning of Qing Dynasty to the period of more than 300 years, the author's aesthetic thought has changed and confirmed the significance of accepting it again.
【学位授予单位】：江苏大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】