南宋书法题跋研究

发布时间：2018-05-02 16:06

本文选题：南宋 + 书法题跋　；参考：《渤海大学》2017年硕士论文

【摘要】：本文以南宋时期的书法题跋为研究对象,将其作为一类书学文献予以整理、考察,并结合当时的社会历史情形和文化背景,以期对该时期的书法现象、书学理论,社会书法风气和审美理想等方面有所发现和阐释。本文主要内容有以下四个部分:第一、以书法题跋为例,探究宋高宗赵构的书法复古意识及其对南宋书法的影响,并通过对相关书法题跋中一些现象的发现与讨论,辨明南宋时期书法复古意识之源起与流变,指出其具体表现,并进一步分析了其和南宋书法状况之间的联系。第二、通过对书法题跋的观照,认为北宋尚意书风在南渡后发生了异化并迅速式微,南宋人在创作和理论上都没能继承尚意书法的核心精神。其表现在于对苏、黄等尚意名家书学思想的隔膜和尚意理念指导下的作品的缺失,其原因在于时代形势的限制、文史学术氛围的影响、书法复古意识的冲击等各个方面。第三、南宋中后期理学兴盛,书法题跋中的品评风气受到影响,品评语辞发生变化,“以事论书”比“以人论书”显示出更加远离书法本体的书品倾向,理学家们对翰墨之艺或有“不为无益之抚玩”和“展玩不忍去手”的矛盾心理。第四、对刻帖和金石碑拓及文字学著作的题跋反映出南宋人对这些方面的重视和所取得的卓荦成就,作为南宋书法的时代特色之一,其或为元代篆隶复兴和晚清碑学大盛开风气之先。
[Abstract]:In this paper, the calligraphy inscriptions of the Southern Song Dynasty are taken as a kind of calligraphy literature to be sorted out, investigated, and combined with the social and historical situation and the cultural background at that time, with a view to the calligraphy phenomenon and the theory of calligraphy in that period. Social calligraphy and aesthetic ideals and other aspects of discovery and interpretation. The main contents of this paper are as follows: first, taking calligraphy postscript as an example, this paper probes into the ancient calligraphy consciousness of Zhao Gaozong in Song Dynasty and its influence on calligraphy in Southern Song Dynasty, and through the discovery and discussion of some phenomena in relevant calligraphy postscript, This paper distinguishes the origin and evolution of the retro consciousness of calligraphy in the Southern Song Dynasty, points out its concrete expression, and further analyzes the relationship between it and the calligraphy situation of the Southern Song Dynasty. Secondly, through the observation of calligraphy inscriptions, the author thinks that the style of calligraphy in the Northern Song Dynasty has been dissimilated and rapidly declined after the Southern Song Dynasty, and the people of the Southern Song Dynasty have failed to inherit the core spirit of the calligraphy of Shang Yi in both creation and theory. Its performance lies in the lack of works under the guidance of the idea of the separated film and monk of Su, Huang, etc. The reasons lie in the limitation of the times, the influence of the academic atmosphere of literature and history, the impact of calligraphy's retro consciousness and so on. Third, Neo-Confucianism flourished in the middle and late Southern Song Dynasty, and the style of evaluation in calligraphy inscriptions and postscript was affected, and the words of quality comments changed, and the "book on things" showed a tendency to be far away from the essence of calligraphy than "the book on man". Neo-Confucianism on calligraphy or the art of "not unhelpful caress play" and "play can not bear to hand" ambivalence. Fourth, the inscriptions and inscriptions on inscriptions, inscriptions and inscriptions on inscriptions and literary works reflect the importance attached to these aspects by the people of the Southern Song Dynasty and their outstanding achievements, as one of the characteristics of the calligraphy era in the Southern Song Dynasty. It may be the Yuan Dynasty Zhuan Li rejuvenation and the late Qing Dynasty monument study blooming before.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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