魏晋山水审美特点流变

发布时间：2018-05-11 11:14

本文选题：魏晋 + 山水审美　；参考：《中国社会科学院研究生院》2017年硕士论文

【摘要】：魏晋山水审美文化是中国山水审美发展史上最重要的环节,标志着山水审美的自觉时代的到来。本文结合历史时代与哲学发展背景,从对魏晋山水诗文的分析入手,综合考察魏晋四个阶段的山水审美思想与审美实践活动,探讨魏晋时期山水审美文化的特点及其发展脉络。论文主体包括四个部分,分别以建安、正始、太康、永和为时间标志点,论述了魏初、魏晋嬗代之际、西晋、东晋时期山水审美文化的特点。从山水作为审美对象而呈现的契机和方式,士人欣赏山水的方式和特点两个方面入手,对各阶段山水审美的发展做了细致的考察,并结合魏晋士人的山水审美活动,勾画出每个阶段山水审美发展的侧重点及其在山水审美文化的形成中所起的作用。第一章以建安为中心,考察魏初曹氏父子为首的建安文人群体的邺下之游,论述建安确立的山水审美的独立姿态,及其在山水审美方面的开创之功。第二章以正始为中心,考察魏晋嬗代之际以嵇康、阮籍为首的名士群体的竹林之游,阐述了正始士人对山水审美之高远意境的拓展,给予山水审美以精神层面的提升。第三章以太康为中心,考察西晋时期以石崇、潘岳为首的二十四友金谷之游,论述太康时期文人如何丰富了山水审美对象之感性的层面,及其在欣赏方式上的发展与创新。第四章以永和为中心,重点考察东晋时期以谢安、王羲之为首的兰亭之游的特点,论述东晋士人对前人审美经验所进行的总结与提纯,他们所构建的士人山水审美的文化结构,并对谢灵运的山水审美活动与诗文创作略作分析。论文以魏晋不同时期最具代表性的山水审美活动为切入点,从建安文人的西园之游,正始士人的竹林之游,太康文人的金谷之游,到东晋王谢诸人的兰亭之游,展现了魏晋士人在各个阶段与自然的接触、交往与融合,以及士人在与自然山水的审美交往过程中所达到的不同的人生境界。
[Abstract]:The landscape aesthetic culture of the Wei and Jin Dynasties is the most important link in the history of the Chinese landscape aesthetic development, which marks the coming of the consciousness of the landscape. This article, based on the historical era and the background of the development of philosophy, begins with the analysis of the poems and texts of the Wei and Jin Dynasties, and investigates the aesthetic thoughts and aesthetic practice activities of the four stages of the Wei and Jin Dynasties, and discusses the period of the Wei and Jin Dynasties. The characteristics and development context of landscape aesthetic culture. The main body of the thesis consists of four parts, including Jianan, Zheng Shi, Taikang and Yonghe as time mark points. The characteristics of landscape aesthetic culture in the early Wei Dynasty, the Wei and Jin Dynasties, the Western Jin and the Eastern Jin Dynasties are discussed. The characteristics of the two aspects of the development of the various stages of landscape aesthetic development made a careful investigation, and combined with the Wei and Jin scholars' landscape aesthetic activities, outlined the focus of the aesthetic development of the landscape of each stage and its role in the formation of the landscape aesthetic culture. The first chapter, taking Jianan as the center, inspects Jian Anwen, headed by Cao's father and son in the early Wei Dynasty In the second chapter, the second chapter focuses on the tour of the bamboo forest of the famous people in the Wei and Jin Dynasties, which was led by Ji Kang and Ruan Ji. In the third chapter, the third chapter takes Taikang as the center to examine the twenty-four friends Golden Valley, headed by Shi Chong and Pan Yue in the Western Jin period, and discuss how the literati in the Taikang period enriched the perceptual level of the aesthetic objects of landscape, and the development and innovation in the way of appreciation. The fourth chapter focused on the Eastern Jin period with the focus on the Eastern Jin Dynasty. The characteristics of the Lanting Pavilion tour led by Xie An and Wang Xizhi discussed the summary and purification of the aesthetic experience of the predecessors in the East Jin Dynasty, the cultural structure of the aesthetic landscape of the scholars they built, and a brief analysis of Xie Lingyun's landscape aesthetic activities and poetry and writing. The thesis is the most representative of the landscape aesthetic activities in the different periods of the Wei and Jin Dynasties. From the trip to the West Garden of the Jianan literati, the tour of the bamboo forest in the beginning of the scholars, the tour of the Golden Valley of the literati in Taikang and the tour of the Lanting Pavilion of the king Xie Zhu in the Eastern Jin Dynasty, it shows the different life boundaries of the scholars in the Wei and Jin Dynasties in the contact with nature at various stages and in the process of aesthetic communication with the natural mountains and rivers.

【学位授予单位】：中国社会科学院研究生院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：B83-092

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