道教压胜钱的图案研究

发布时间：2018-05-14 20:43

本文选题：压胜钱 + 道教　；参考：《太原理工大学》2017年硕士论文

【摘要】：我国的工艺美术不单品类繁多,且工艺精湛。其中钱币的铸造与使用,本来是为了顺应社会的实际需求,以利货品流通,充当价值媒介。然而,铸造的精致与设计的美观,不但产生了审美的效应,还很容易引发文化象征的联想,也正因此,在我国古代货币中出现了一类有钱币之形而无钱币之实的象征事物——压胜钱。在古钱币学界,压胜钱不做流通用。鉴于此类钱币多与宗教信奉并推许的"压胜法"有关,即为用符咒等法祛邪攘灾,因而有学者称其为"压胜钱",通俗而言,用作吉利品或避邪品的古钱币即为压胜钱。这类非正用品钱币,为人们带来口彩与精神满足的同时,以其较高的艺术价值和与古钱千丝万缕的联系,成为中国古代民俗文物中的一个独特的版块。其中道教压胜钱不论是宗教意蕴还是纹样构成,都承载着中国数千年历史所蕴含的精神理念。其贵重的材料、精绝的技艺和丰富的文化内涵,不仅代表了民族的创造才能,也传承了道家的文化。故本课题将其单独列为一类,着眼于道教压胜钱的图案设计,从宗教历史发展的角度对其纹样内涵进行了分析。本篇主要内容分三部分论述,第一部分主要介绍道教压胜钱并分析其宗教历史背景,将历史按年代分段,总结每个时代道教发展对压胜钱图案的影响;第二部分主要介绍道教压胜钱的图案,将图案纹饰分类归纳为人物、符篆、动物三类,后得出道教压胜钱图案的铸造手法和造型特征,并简要概述了压胜钱图案中蕴含的道教美学思想;第三部分为应用部分,总结了道教压胜钱图案的构成法则,并举例说明其法则应用于奖牌、纪念币铸造的可行性。
[Abstract]:China's arts and crafts are not only a variety of categories, and exquisite craftsmanship. The original purpose of coin is to conform to the actual demand of society, to facilitate the circulation of goods and to serve as a medium of value. However, the exquisite casting and beautiful design not only have an aesthetic effect, but also easily lead to the association of cultural symbols. In ancient China, there appeared a kind of symbol of coin but no coin. In the world of ancient coins, it is better to suppress money than to use it in circulation. In view of the fact that this kind of coin is mostly related to the religious belief and approval of the "pressure victory method", that is, to use charm and other methods to dispel evil spirits and make trouble, some scholars call it "suppressing victory over money". In popular terms, the ancient coins used as lucky or evasive goods are called pressure winning money. With its high artistic value and inextricable connection with ancient money, this kind of non-orthodox article coin has become a unique part of the ancient Chinese folklore relics, while bringing people the satisfaction of mouth color and spirit, and at the same time, with its high artistic value and inextricably linked with ancient money, this kind of money has become a unique part of the ancient Chinese folklore. Among them, Taoism dominates money, whether it is religious meaning or pattern structure, which carries the spiritual idea contained in the history of thousands of years in China. Its valuable materials, exquisite skills and rich cultural connotations not only represent the creative talent of the nation, but also inherit the Taoist culture. Therefore, this paper classifies it as a separate category, focuses on the design of Taoist design, and analyzes the connotation of its pattern from the perspective of religious historical development. The main content of this article is divided into three parts. The first part mainly introduces Taoism to win money and analyzes its religious historical background, and sums up the influence of Taoist development on the pattern of money suppression in each era. The second part mainly introduces the Taoist patterns of winning money, classifying the patterns into three categories: characters, charms and animals, and then comes to the casting techniques and modeling characteristics of Taoist patterns of winning money. The third part is the application part, summarizes the composing law of the Taoist pattern of winning money, and illustrates the feasibility of its application in medals and commemorative coin casting.
【学位授予单位】：太原理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J522

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