恩施地区根雕的空间审美意蕴研究

发布时间：2018-05-23 23:39

本文选题：恩施根雕 + 艺术形态　；参考：《湖北民族学院》2017年硕士论文

【摘要】：根雕艺术是一门既古老又年轻的艺术。春秋战国时代,根雕就已经出现在我国境内,并在人们的生活中扮演着重要的角色;直至解放前期陷入了几近绝迹、后继无人的窘迫状态。解放后,根雕艺术再次登上历史的舞台,在恩施地区重新崛起,逐渐发展壮大起来,其经济效益、社会影响力日趋显著,成为中国艺术领域中一个独立的艺术门类。恩施地区根雕艺术讲求保留根味、美化自然、升华自然,其艺术风格的形成是该地区的历史文化、宗教信仰、民间风俗、社会经济发展等自我选择的结果;根雕形态从多个角度映射出了该地区人们独特的社会生产生活习俗、民族信仰、价值观念、工艺技术等,蕴含着丰富的精神文化和艺术价值。本论文以恩施地区根雕形态为研究对象,文中对恩施地区的基本概况、根雕的历史发展进程、本地区根雕艺术的分布和发展现状及其制作流程等做较为全面的概述;通过吸收、运用民族学、艺术学等理论方法,从艺术学的角度对恩施地区根雕形态的物理空间、精神空间进行分析研究,探析根雕形态在空间环境中存在的艺术样式、艺术形态中所蕴含的精神内涵;并从根雕形态的自然美、意象美和空间再造美三个方面探析其内在的审美意蕴。总之,恩施地区根雕在现代社会的发展中,既凝聚着丰富的传统文化,又受现代社会中文化、经济、政治、宗教等多重因素的影响。因此,对恩施地区根雕形态的研究,不仅可以有效地挖掘该地区根雕艺术所蕴含的精神内涵,而且对于保护和传承民间技艺起到保护和促进作用,对传承和发展恩施地区民间文化艺术具有重要的现实意义。
[Abstract]:The art of root carving is an old and young art. During the Spring and Autumn period and warring States period, root carving had already appeared in our country and played an important role in people's life. After liberation, the root carving art once again ascended on the historical stage, rose again in Enshi area, developed gradually, its economic benefit and social influence became more and more remarkable, and became an independent art category in the field of Chinese art. The art of root carving in Enshi region emphasizes the preservation of root flavor, beautification of nature and sublimation of nature. The formation of its artistic style is the result of selections of the region's historical culture, religious belief, folk customs, social and economic development and so on. The root carving form reflects the unique social production and life custom, national belief, value concept, craft technology and so on of people in this area from many angles, which contains rich spiritual culture and artistic value. This paper takes the root carving form in Enshi area as the research object, and summarizes the basic situation, the historical development process, the distribution and development status of the root carving art and the production process of the root carving in Enshi area. By means of ethnology, art and other theoretical methods, this paper analyzes and studies the physical space and spiritual space of the root carving form in Enshi from the angle of art, and probes into the artistic style of the root carving form in the space environment. The spiritual connotation contained in the artistic form, and the inherent aesthetic implication of it from three aspects: the natural beauty of the root carving form, the beauty of image and the beauty of space reconstruction. In short, Enshi root carving in the development of modern society, not only condensed rich traditional culture, but also by the modern society in the cultural, economic, political, religious and other factors. Therefore, the study of root carving form in Enshi area can not only effectively excavate the spiritual connotation of root carving art in this area, but also protect and promote the protection and inheritance of folk skills. It has important practical significance for inheriting and developing folk culture and art in Enshi area.
【学位授予单位】：湖北民族学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J314.2

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