论美国汉学家薛爱华的神女研究

发布时间：2018-06-08 10:36

本文选题：薛爱华 + 神女　；参考：《华东师范大学》2017年硕士论文

【摘要】："神女" 一词源于宋玉《神女赋》,在古典诗歌中常作为巫山神女的简称。受宋玉《高唐赋》、《神女赋》的影响,神女在中国古典文学中逐渐具有了性爱意味,因而"神女"不仅指巫山神女,而且可指称大胆奔放的女性。实际上,在中国古典文学中"神女"还可泛指一切神话传说中的女性神灵。它既可指巫山神女,也可指女娲、洛神、湘夫人、汉女等古老的女性神灵,还可指杜兰香、成公智琼等各种道教女仙。美国汉学家薛爱华的《神女:唐代文学中的龙女和雨女》则是以巫山神女、女蜗、洛神、湘夫人、汉女、龙女等古老的女性神灵为研究对象的专著。本论文以薛爱华专著《神女:唐代文学中的龙女和雨女》为研究对象,一方面对薛爱华神女研究进行梳理与评析,另一方面则对其文学中神女的研究进行扩展,探讨神女与中国古典文言小说的关系。本论文共分为六部分:绪论,综述国内外神女研究的现状,以及薛爱华神女研究的特点、价值;第一章,分析薛爱华神女研究的理论,探究西方学者研究中国神女的独特视角与方法;第二章、第三章,梳理、评析薛爱华对唐代宗教及文学中神女的研究;第四章,研究中国古典文言小说中神女形象、神女故事的原型与变形,以及这些故事的文本价值,以补充薛爱华神女研究的不足;最后为结语。本文对薛爱华的神女研究进行再研究,有助于吸收和借鉴国外汉学家独特的文学研究视角与研究方法;有助于对中国古典文学中"神女"这一重要的文学形象进行系统性研究,从而发现神女与神话、文学、宗教的关系以及中国古典文学尤其是古典文言小说中有关神女的各个文学作品相互之间的关联。
[Abstract]:The word "Goddess" originates from Song Yu's Fu of God and is often used as the acronym of Wushan Goddess in classical poetry. Influenced by Song Yu's Fu of the Tang Dynasty and the Fu of the Gods and daughters, the Gods and daughters gradually had the meaning of sex in Chinese classical literature, so the "God-Girl" not only refers to the Wushan Gods, but also refers to the bold and unrestrained women. In fact, in Chinese classical literature, "Goddess" can also refer to all mythological and legendary female deities. It can refer to Wushan Goddess, Nu WA, Luo Shen, Xiang Lady, Han woman and other ancient female deities, but also refers to du Lanxiang, into Gong Zhiqiong and other Taoist female immortals. American Sinologist Xue Aihua: Dragon Women and Rain Women in Tang Literature is a monograph of ancient female deities such as Wushan Goddess, female Spirit, Luoshen, Xiang Lady, Han woman, Longnu and so on. This thesis takes Xue Aihua's monograph Shennu: Dragon woman and Rain woman in Tang Dynasty as the research object. On the one hand, it combs and comments the study of Xue Aihua, on the other hand, it expands the research on the Gods and daughters in his literature. This paper discusses the relationship between Shennu and Chinese classical Chinese novels. This paper is divided into six parts: introduction, the review of the current situation of the study of gods and daughters at home and abroad, as well as the characteristics and value of the study of Xue Aihua, the first chapter, the analysis of the theory of the study of the gods and daughters of Xue Aihua, Chapter two, Chapter three, combing and analyzing Xue Aihua's research on the gods and girls in the religion and literature of the Tang Dynasty, the fourth chapter, the study of the images of the gods and girls in the classical Chinese novels, The archetypal and metamorphosis of the stories and the textual value of these stories complement Xue Aihua's deficiency in the study of the gods and daughters; finally, the conclusion. This paper restudies Xue Aihua's study of god and daughter, which is helpful to absorb and draw lessons from the unique literary research perspective and research methods of foreign Sinologists, and to systemically study the important literary image of "god and daughter" in Chinese classical literature. The relationship between the gods and girls and the mythology, literature, religion and the relationship between the Chinese classical literature, especially the literary works of the gods and girls in the classical Chinese novels.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.41;I206.2

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