艺术人类学视阈下的“撮泰吉”面具研究

发布时间：2018-06-19 17:42

本文选题：撮泰吉 + 面具　；参考：《山东工艺美术学院》2017年硕士论文

【摘要】：贵州彝族“撮泰吉”面具是中国傩戏面具的独特代表,本文重点探究“撮泰吉”面具背后所蕴含的彝族人民的宗教信仰、风土人情、地理环境、历史沿革以及“撮泰吉”面具的艺术特征,并以贵州乡傩傩堂戏、屯堡文化的安顺地戏、白马藏族的“曹盖”以及安徽池州的傩戏等其他傩戏面具,与“撮泰吉”面具进行对比,运用人类学的跨文化比较方法,探寻它们之间的共性和差异及其独特的文化价值。论文主要分为以下几个部分。绪论部分对“撮泰吉”面具研究的缘起和其研究意义进行简要的概述,将“撮泰吉”面具的研究现状以加以评述,以及介绍本论文的研究思路和研究方法;第一部分,通过对“撮泰吉”所在地区自然地理环境和人文环境的分析,寻找“撮泰吉”产生的渊源和背景;第二部分重点分析了“撮泰吉”面具的表演艺术特征以及造型艺术特征;第三部分用实地田野调查资料与文献调研相结合的方式将“撮泰吉”面具的文化内涵加以剖析,寻找其蕴含的原始崇拜仪式、宗教意识和民俗文化;第四部分采取人类学的跨文化比较方法,将“撮泰吉”面具与其它同样极具地方特色的面具进行比较,从而挖掘它们在艺术特征、文化内涵及社会功能层面上的共性与差异,凸显“撮泰吉”面具独特的文化张力。
[Abstract]:The mask of Yi nationality in Guizhou is the unique representative of the mask of Nuo opera in China. This paper focuses on the religious belief, local customs and geographical environment of the Yi people behind the mask. The history of history and the artistic features of the mask of "Jiotaiji", and other Nuo opera masks such as Nuo Tang Opera in Guizhou, Anshundi Opera in Tunbao Culture, Cao Gai in Bai Ma Tibetan nationality and Nuo Opera in Chizhou, Anhui Province, etc. In contrast with the mask, the author explores the similarities and differences between them and their unique cultural value by means of cross-cultural comparison of anthropology. The paper is divided into the following parts. The introduction part gives a brief overview of the origin and significance of the study on the mask, reviews the present research situation of the mask, and introduces the research ideas and methods of this paper. Through the analysis of the natural geographical environment and the humanistic environment in the area of "Jiotaiji", the origin and background of the "Jiotaiji" are found, the second part mainly analyzes the characteristics of the performing arts and the plastic arts of the "Jiotaiji" mask, the second part focuses on analyzing the characteristics of the performing arts and the plastic arts of the "Jiotaiji" mask. The third part analyzes the cultural connotation of the mask by combining the field investigation data with the literature investigation, and looks for the original worship ceremony, religious consciousness and folk culture contained in the mask. The fourth part uses the anthropological cross-cultural comparison method, compares the "Jiu Teji" mask with other masks with local characteristics, thus excavates their commonness and difference in artistic features, cultural connotations and social functions. Highlight the unique cultural tension of the Teji mask.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J528.3

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