牡丹纹样的历史沿革与再应用研究

发布时间：2018-06-24 02:57

本文选题：牡丹纹样 + 传统装饰元素　；参考：《湖北工业大学》2017年硕士论文

【摘要】：牡丹一直以来都被视为富贵、吉祥、高贵的象征,在中国古代的概念中,牡丹代表的就是华贵、堂皇,而其饱满的色彩更是让人们感受到一种绚烂璀璨。经过数千年文化的传承与沉淀,牡丹纹样已经发展成为我国文化体系内的一个典型的精神符号,寓意吉祥与富贵,体现了人们向往平安、祈福纳祥的美好追求,其中所涵的祥瑞文化已经成为中华民族最精髓的文化内涵之一,深受中国人民喜爱,并被广泛运用到设计中。如今,现代设计的民族文化性要求越来越高。对于现代设计作品来说,既要保持其高质量的同时,又要将设计内涵中增加人文价值,使精神功能可以实现对现代艺术概念的发掘。传统牡丹纹样在现代设计方面的使用,丰富了原有的花团锦簇、大富大贵的寓意,现代美学将传统装饰元素进行简化和重置,很多纹样蕴含的传统吉祥内涵,与现代审美形式相结合之后,碰撞出新的装饰效果和审美意境。本文希望通过牡丹纹样在现代艺术作品设计过程中起到的作用,来分析传统装饰元素对现代艺术的扩充方式。本文结构分为五个部分:第一章绪论根据课题来介绍基本的研究目的、研究背景、研究现状等等;第二章介绍牡丹纹样,概述牡丹纹样最早起源、文化寓意、不同时期造型分析,梳理出各阶段牡丹纹样风格特色、元素应用,比例结构等等,挖掘其装饰艺术特征所在;第三章为研究了牡丹纹样在现代设计中的应用,搜集牡丹纹样在现代设计领域中的不同优势,寻找具有突破性空间的方式,探讨牡丹纹样在现代设计中的应用发展前景;第四章为毕业设计的创作,结合课题研究内容,运用牡丹花元素,从题材来源、媒介选择、设计理念的表达,创作出相对应的现代设计艺术品;第五章结语部分。根据牡丹纹样的继承和发展方向,将新的符合现代艺术设计的创新点重新梳理,将传统装饰纹样和现代设计方法之间形成新的艺术关系。
[Abstract]:Peony has always been regarded as a symbol of wealth, auspiciousness and nobility. In the concept of ancient China, peony stands for grandeur and grandeur, and its full color makes people feel a kind of brilliant and bright. After thousands of years of cultural inheritance and precipitation, peony patterns have developed into a typical spiritual symbol in our cultural system, meaning auspicious and rich, embodying the people's pursuit of peace and blessing. Among them, Xiangrui culture has become one of the most essential cultural connotations of the Chinese nation, deeply loved by the Chinese people and widely used in the design. Nowadays, the national cultural requirement of modern design is higher and higher. For modern design works, it is necessary not only to maintain its high quality, but also to add humanistic value to the connotation of design, so that the spiritual function can realize the discovery of modern art concepts. The use of traditional peony patterns in modern design enriches the original meanings of flowers and wealth. Modern aesthetics simplifies and resets traditional decorative elements, and many patterns contain traditional auspicious connotations. With the combination of modern aesthetic forms, the collision of new decorative effects and aesthetic conception. This paper hopes to analyze the expansion of traditional decorative elements to modern art through the role of peony patterns in the design of modern art works. The structure of this paper is divided into five parts: the first chapter introduces the basic research purpose, the research background, the present situation and so on according to the topic; the second chapter introduces the peony pattern, summarizes the earliest origin of the peony pattern, the cultural moral, etc. Different period modeling analysis, combing out each stage peony pattern style characteristic, the element application, the proportion structure and so on, excavates its decorative art characteristic to be located; the third chapter has studied the peony pattern in the modern design application, Collect the different advantages of peony pattern in the field of modern design, find a breakthrough space, explore the application and development prospects of peony pattern in modern design. Chapter four is the creation of graduation design, combined with the research content of the subject. Using the peony flower element, from the subject matter source, the medium choice, the design idea expression, creates the corresponding modern design work of art; the fifth chapter conclusion part. According to the inheritance and development direction of the peony pattern, the new innovation points which accord with the modern art design are rearranged, and the new artistic relationship between the traditional decorative pattern and the modern design method is formed.
【学位授予单位】：湖北工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J522

【参考文献】