祖氏滇绣画的工艺和图案研究
发布时间：2018-07-29 09:10
【摘要】：祖氏滇绣画是云南非物质文化遗产,由云南省工艺美术行业协会副秘书长、非物质文化遗产传承人——祖玉兰创立的一种刺绣画艺术风格。祖氏滇绣画是祖玉兰对刺绣工艺独到的见解,以云南特色的“滇文化”为依托,以画为题材,以精湛的刺绣技法为表现方式,立足于云南,服务于云南本土特色文化的研发,将云南独有的特色文化风情进行宣传与推广。中国的刺绣历史非常悠久,文化底蕴深厚,且种类繁多,中国现如今刺绣业更是持一种百花齐放的状态。现代刺绣业不仅要传承传统刺绣品种,也需要探寻新的可能性,创造刺绣业新的格局。本课题依据文献研究法、田野调查法等研究方法,以社会学、认知心理学、市场学等学科理论为指导,研究主要内容的资料来源都是笔者通过实地考察与收集记录,后期经过严格筛选后再进行有效地梳理与归纳整合,将祖氏滇绣画的艺术审美特征进行分析,以及对祖氏滇绣画的发展现状解析。以视觉传达专业化的角度去把祖氏滇绣画所用到的工具、材料以及针法、技艺和其流程进行全方面的记录与专业化的解读,其中包含对单个工具、流程、针法、图案的图解,对其刺绣画题材与图案特征进行详细地分析。以这几条主线为脉络,形成一篇针对祖氏滇绣画制作工艺、选材特征专业化全面刨析的论文,最终为祖氏滇绣画的推广、科普宣传以及大众认知带来促进作用与理论依据。
[Abstract]:Chu's Yunnan embroidery painting is Yunnan intangible cultural heritage, by Yunnan arts and crafts industry association deputy secretary-general, intangible cultural heritage inheritor-Zu Yulan created a embroidery art style. Zushu-Dian embroidery painting is Zu Yulan's unique view on embroidery technology. Relying on Yunnan's characteristic "Dian culture", taking painting as its subject matter and exquisite embroidery technique as its expression mode, it bases itself on Yunnan and serves the research and development of Yunnan's local characteristic culture. Yunnan unique cultural characteristics of publicity and promotion. China's embroidery has a very long history, profound cultural background, and a wide variety of types. Nowadays, China's embroidery industry is in a state of blooming with a hundred flowers in full bloom. Modern embroidery industry should not only inherit traditional embroidery varieties, but also explore new possibilities and create a new pattern of embroidery industry. Based on the methods of literature research and field investigation, and guided by the theories of sociology, cognitive psychology and marketing, the main sources of the research are the author through the field investigation and collection of records. In the later period, after strict screening, the author effectively combs and induces and integrates the artistic aesthetic characteristics of the Zushu-Dian embroidery painting, and analyzes the present situation of the development of the Zushu-Dian embroidery painting. From the perspective of visual communication specialization, the tools, materials, needlework, techniques and processes used in Suzu's Yunnan embroidery paintings are recorded and professionally interpreted in all aspects, including illustrations of individual tools, processes, needles, patterns, etc. To its embroidery painting theme and the pattern characteristic carries on the detailed analysis. Taking these main lines as the thread, this paper forms a comprehensive analysis of the making technology and material selection features of the embroidery painting of Zu's Dian, and finally brings about the promotion function and the theoretical basis for the promotion of the embroidery painting, the popularization of science and the public cognition.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J523.6
本文编号：2152198
[Abstract]:Chu's Yunnan embroidery painting is Yunnan intangible cultural heritage, by Yunnan arts and crafts industry association deputy secretary-general, intangible cultural heritage inheritor-Zu Yulan created a embroidery art style. Zushu-Dian embroidery painting is Zu Yulan's unique view on embroidery technology. Relying on Yunnan's characteristic "Dian culture", taking painting as its subject matter and exquisite embroidery technique as its expression mode, it bases itself on Yunnan and serves the research and development of Yunnan's local characteristic culture. Yunnan unique cultural characteristics of publicity and promotion. China's embroidery has a very long history, profound cultural background, and a wide variety of types. Nowadays, China's embroidery industry is in a state of blooming with a hundred flowers in full bloom. Modern embroidery industry should not only inherit traditional embroidery varieties, but also explore new possibilities and create a new pattern of embroidery industry. Based on the methods of literature research and field investigation, and guided by the theories of sociology, cognitive psychology and marketing, the main sources of the research are the author through the field investigation and collection of records. In the later period, after strict screening, the author effectively combs and induces and integrates the artistic aesthetic characteristics of the Zushu-Dian embroidery painting, and analyzes the present situation of the development of the Zushu-Dian embroidery painting. From the perspective of visual communication specialization, the tools, materials, needlework, techniques and processes used in Suzu's Yunnan embroidery paintings are recorded and professionally interpreted in all aspects, including illustrations of individual tools, processes, needles, patterns, etc. To its embroidery painting theme and the pattern characteristic carries on the detailed analysis. Taking these main lines as the thread, this paper forms a comprehensive analysis of the making technology and material selection features of the embroidery painting of Zu's Dian, and finally brings about the promotion function and the theoretical basis for the promotion of the embroidery painting, the popularization of science and the public cognition.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J523.6
【参考文献】
相关期刊论文 前2条
1 李笑萍;;传统手工刺绣的发展现状及其原因分析[J];美与时代(上旬);2014年06期
2 李群;;从实用与审美看传统刺绣的发展[J];商业文化(学术版);2008年01期
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