敦煌图像中服用龟背纹探微

发布时间：2018-08-25 15:30

【摘要】：本文以敦煌图像中人物服装上龟背纹为研究对象,对敦煌图像中服用龟背纹相关的文献进行收集、梳理的基础上运用二重证据法、统计分析法、归纳法、比较法对龟背纹出现年代、纹样构成、着装者身份等进行深入研究。同时,结合相关文献与实物资料进行对比分析。敦煌图像中的龟背纹与同时期龟背纹织物等对比分析中总结敦煌图像中服用龟背纹的装饰风格。试图对敦煌图像中服用龟背纹年代、纹样构成、装饰部位等进行研究。最后以北京服装学院民族服饰博物馆馆藏龟背纹斜襟锦袍为个案,与敦煌图像服用龟背纹对比、分析。全文共分为7章,第1章是绪论;第2章是对敦煌图像中各时期龟背纹的概述;第3章是敦煌图像中服用龟背纹的解析;第4章是敦煌莫高窟图像中服用龟背纹所装饰的服装品类的介绍;第5章是敦煌图像中的服用龟背纹和其他龟背纹的比较;第6章是北京服装学院民族服饰博物馆馆藏龟背纹斜襟锦袍纹样分析;第7章结论,是文章的结语部分,对本论文的主要论点进行简要总结。通过研究发现,敦煌莫高窟图像中人物服用龟背纹有几何纹、联珠纹、朵花纹样等多种组合元素且富于变化的排列方式。敦煌莫高窟图像中服用龟背纹主要出现在盛唐至五代时期;敦煌莫高窟图像服用龟背纹的着装者有世俗人物帝王和佛国世界里的菩萨、风神和天王等。以龟背纹的排列方式为依据分为横向排列和竖向排列;以填充纹样的题材分类基本是几何纹和朵花纹样。以龟背纹的单位框架形式分为两类:一类为线型框架,一类为联珠型框架。
[Abstract]:This article takes the figure on the figure clothing in Dunhuang image as the research object, carries on the collection to the Dunhuang image to take the tortoise pattern related literature, combs the foundation to use the double evidence method, the statistical analysis method, the induction method, Comparative method is used to study the appearance of tortoise pattern, pattern composition and the identity of the dresser. At the same time, combined with the relevant literature and physical material for comparative analysis. The decorative style of wearing moire pattern in Dunhuang image is summarized in the comparative analysis of the moire pattern in Dunhuang image and the fabric of tortoise back in the same period. This paper attempts to study the age, pattern composition and decorative parts of tortoise in Dunhuang images. Finally, a case study of the collection of tortoise slanting robes in the Museum of ethnic clothing of Beijing Institute of Garment is made, which is compared with Dunhuang images. The full text is divided into seven chapters, the first chapter is the introduction, the second chapter is the overview of the Dunhuang images of each period, the third chapter is the Dunhuang images of the analysis of the moire patterns; The fourth chapter is an introduction to the clothing categories decorated with tortoise pattern in the image of Dunhuang Mogao Grottoes, the fifth chapter is the comparison between the wearing mottle pattern and other moire pattern in Dunhuang image. The sixth chapter is the analysis of the pattern of the tortoise-back slanted lapel robes in the Museum of ethnic clothing of Beijing Institute of Garment; the conclusion of the seventh chapter is the conclusion of the article, the main points of this paper are summarized briefly. It is found that the figures in the image of Dunhuang Mogao Grottoes have geometric patterns, bead patterns, flower patterns and so on. The image of Dunhuang Mogao Grottoes mainly appeared in the period from the Tang Dynasty to the five dynasties, while the image of the Mogao Grottoes used the mottle pattern of Dunhuang Grottoes were dressed by the secular emperor and the Bodhisattva in the Buddha world, the wind god and the king of heaven and so on. According to the arrangement pattern of tortoise back, it can be divided into horizontal arrangement and vertical arrangement, and geometric pattern and flower pattern are the basic classification of filling pattern. The unit frame of tortoise back is divided into two types: one is linear frame, the other is beaded frame.
【学位授予单位】：北京服装学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J523.5

【参考文献】