清乾嘉时期印谱序跋研究

发布时间：2018-12-11 13:40

【摘要】：印谱序跋作为对印谱的叙述和综述,是了解整个印谱信息、印人思想和印学理论的重要途径。清代乾嘉时期篆刻材质和工具的改善、收藏之风的推动,加上印人社会地位和自身文化的提高,以及刊刻、收藏印谱风气的综合作用,使篆刻艺术在乾嘉时期走向繁荣,为印谱和印谱序跋的大量出现奠定了基础。本文主要以清代乾隆(1736—1796年)、嘉庆(1796-1820年)时期的印谱序跋为研究对象,通过对现存大量乾嘉时期的印谱序跋进行分析、比较和研究,探析该时期印谱的辑谱过程、印谱由来、体例等序跋文体结构。进而对序跋中蕴含的摹古、崇汉等审美取向和刀法、字法、章法等篆刻创作技法进行分析,可知这一时段印谱序跋总体上以“宗法秦汉”为主要审美取向。同时印谱序跋中出现了对印学发展在审美取向和篆刻技法方面存在的问题进行的批评,体现出对印学发展不足的认识。印谱序跋作为对印学史、印谱史的补充又有重要的文献价值,是了解印人评价和其交游的历史资料,其文献价值对于研究这一时期印学、印谱的相关问题具有重要作用。
[Abstract]:The preface and postscript of the printing spectrum, as a narration and summary of the printing spectrum, is an important way to understand the information of the whole printing spectrum, the thought of the Indian and the theory of impressionism. The improvement of seal cutting materials and tools in the Qianjia period of the Qing Dynasty, the promotion of collecting style, the improvement of the social status of the Indian people and their own culture, as well as the comprehensive function of publishing and collecting the seal inscriptions, made the seal cutting art become prosperous in the Qianjia period. It lays a foundation for the emergence of a large number of prefaces and postscript of the printing spectrum. This paper mainly takes the prefaces and postscripts of the Qing Dynasty Qianlong (1736-1796) and Jiaqing (1796-1820) period as the research object, through the analysis, comparison and study of a large number of extant prefaces of the Qianjia period, and probes into the process of this period. The style structure of preface and postscript is the origin and style of printing. Then, the author analyzes the aesthetic orientation of the preface and postscript, such as imitation of ancient times, worship of Han and so on, as well as the techniques of seal cutting, such as knife method, character method and Zhang method. It can be seen that the main aesthetic orientation of prefaces and postscripts in this period is "patriarchal style, Qin and Han dynasties". At the same time, in the preface and postscript of the printing spectrum, the problems existing in the development of the printing science in the aspects of aesthetic orientation and seal cutting techniques are criticized, which reflects the understanding of the insufficient development of the printing science. As a supplement to the history of impressionism, the preface and postscript of the printing spectrum has important literature value, and it is the historical material to understand the evaluation of the Indian people and their friends. Its literature value plays an important role in the study of the related problems of the impressionism and the printing spectrum in this period.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.4

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