石屏彝族花腰跳乐当代转型研究

发布时间：2019-03-25 07:23

【摘要】：花腰跳乐是一种集歌、舞、乐为一体的民间群体性乐舞艺术形式,在云南省石屏县龙武镇、哨冲镇、龙朋镇以及峨山彝族自治县大棚租和小棚租地区广泛传播。为适应以市场经济、信息化、全球化为代表的时代变迁,花腰跳乐正在面临和发生着转型。所谓文化转型,即是由一种新的主导性的文化生发模式替代传统的、过去的文化生发模式的一种文化现象。它所带来的是花腰跳乐由内而外的传承方式、演变规律、表现形式、内涵意蕴等多个方面的彻底转型。本文即以红河州石屏县彝族花腰跳乐为研究对象,以跳乐文化的当代建构与转型为主线,以花腰跳乐当代转型中各种力量关系的互动和话语表述为核心,通过对花腰跳乐不同维度文化语境中的阐释来揭示当代花腰跳乐的建构、转型及运作逻辑。本文以花腰跳乐当代文化转型过程中典型呈现的环境、形式、功能、群体等转型现象为主要内容进行传统与现代二元对比的论述,主体包括四个部分:第一部分以“原生”到“展演”、“乡土”到“广厦”的逻辑思路阐释花腰跳乐生存环境的转型路径;第二部分着重分析了各类型花腰跳乐的审美、形态特点及特点成因,其中“快板”、“慢板”套路共存以及民间与展演互动发展的现象值得更深入的探讨;第三部分将传统与现代花腰跳乐文化功能分别归纳于“表达”和“展现”,传统花腰跳乐文化功能在转型过程中或是叠加,或是放大,或是消失,或是变异,新的文化功能体系正在建立、适应和完善;第四部分对花腰跳乐传承与发展群体进行分析,在传统一元的传承结构中,花腰彝人担任着表演者、欣赏者、创作者、维护者和传播者多重身份,而现代参与群体中“他者”的涉入,改变了花腰跳乐的传统发展路径,这些新的元素无疑给花腰跳乐带来了未来发展的无限可能。
[Abstract]:Huayao dance is an art form of folk group music and dance, which is widely spread in Longwu town, Weichong town, Longpeng town and Eshan Yi autonomous county in Shiping county of Yunnan province. In order to adapt to the market economy, information technology, globalization as the representative of the times change, the waist jump music is facing and taking place the transformation. The so-called cultural transformation is a kind of cultural phenomenon which is replaced by a new dominant mode of cultural birth and hair in the past. What it brings is a thorough transformation in many aspects, such as the way of inheritance from inside to outside, the law of evolution, the form of expression, the implication of connotation and so on. This article takes the flower-waist jump music of Yi nationality in Shiping County of Honghe Prefecture as the research object, takes the contemporary construction and transformation of the jump music culture as the main line, and takes the interaction and the discourse expression of various power relations in the contemporary transformation of the flower-waist jump music as the core. This paper reveals the construction, transformation and operation logic of the contemporary flower-waist-jump music by explaining the cultural context of the different dimensions of the flower-waist jump music. This paper discusses the traditional and modern dualistic contrast with the typical transformation phenomena such as environment, form, function, group and so on in the course of the transformation of the contemporary culture of Huayao Jump Music. The main body includes four parts: the first part explains the transformation path of the living environment of flower-waist jump music with the logical train of thought from "original" to "exhibition", "native" to "Guangsha"; The second part focuses on the analysis of the various types of flower-waist jump music aesthetic, morphological characteristics and characteristics of the causes, in which "fast board", "slow board" pattern of coexistence and folk and interactive development of the show phenomenon is worthy of in-depth discussion; In the third part, the cultural functions of traditional and modern flower-waist jumping music are summed up in "expression" and "presentation" respectively. The cultural functions of traditional flower-waist jumping music are either superimposed, magnified, disappeared, or mutated in the process of transformation. The new cultural function system is being established, adapted and perfected; The fourth part analyzes the inheritance and development group of Huayao jump music. In the traditional unitary inheritance structure, the Huayao Yi people act as performers, appreciators, creators, defenders and communicators with multiple identities. However, the involvement of the "other" in the modern participating groups has changed the traditional development path of the flower-waist jump, and these new elements have undoubtedly brought unlimited possibilities for the future development of the flower-waist jump.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J722.21

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