苏世让与郑士龙朝天诗中的明朝形象比较研究
发布时间：2019-04-13 19:01
【摘要】：本文主要以16世纪朝鲜馆阁文人的代表人物苏世让(1486-1562)和郑士龙(1491-1570)创作的朝天诗为研究对象,运用比较文学形象学的研究方法,分析二人作品中出现的明朝形象。并在此基础上对比两种明朝形象的差异,发掘其差异的成因。苏世让的朝天诗中主要描写了以下几种明朝形象:处境悲惨的百姓、无礼的官员、野蛮的少数民族、繁荣的城市和恶劣的自然环境;郑士龙的朝天诗中主要描写了以下几种明朝形象:强大的军事设施、繁荣的城市、才华出众的官员、魅力万千的女性和恶劣的自然环境。经过对比研究,笔者认为,苏世让和郑士龙的朝天诗中塑造了两种截然不同的明朝形象:苏世让的朝天诗中刻画了一个百姓生活极其困苦、下层官员腐败无礼、社会环境动荡不安、自然环境艰苦恶劣的负面明朝形象,郑士龙的朝天诗则塑造了一个军事力量强大、经济富庶、社会开放、官员德才兼备的正面明朝形象。笔者认为,之所以出现这样的区别,是因为苏世让的朝天诗反映出诗人的特殊体验——基于对明朝社会现实的真切感受,而郑士龙的朝天诗则回避了明朝的社会现实,反映了朝鲜文人关于"天朝上国"的集体想象。对特殊体验和社会机体想象的不同选择则源于16世纪上半期朝鲜士大夫中士林派与勋旧派思想意识的不同。16世纪新兴的士林派文人具有强烈的社会批判意识,在个人层面上继承了郑梦周的学脉,追求正义,在政治层面上崇尚倡导民本思想和王道政治,追求至治主义;而即将没落的勋旧派势力则具有很强的保守主义倾向,在个人层面上追求享乐主义,在政治层面上倾向于维护现状,保持既得特权。笔者通过苏世让及郑士龙朝天诗中的明朝形象研究,对士林派和勋旧派的思想认识进行对比,更加深入全面地认识16世纪上半期朝鲜上层文人的思想面貌。
[Abstract]:In this paper, the representative characters of Korean Pavilion literati in the 16th century, Su Shijun (1486? 1562) and Zheng Shilong (1491? 1570), are taken as the object of study, and the method of comparative literature iconography is used as the research object. Analyze the image of Ming Dynasty in their works. On this basis, we compare the differences between the two images of Ming Dynasty, and explore the causes of the differences. The images of Ming Dynasty are mainly described in Su Shirong's poems: miserable people, rude officials, savage ethnic minorities, prosperous cities and bad natural environment, and the following are the images of the Ming Dynasty: miserable people, rude officials, savage ethnic minorities, prosperous cities and bad natural environment; Zheng Shilong's poems mainly describe the following images of Ming Dynasty: powerful military facilities, prosperous cities, talented officials, attractive women and harsh natural environment. Through a comparative study, the author believes that Su Shijun's and Zheng Shilong's poems create two distinct images of the Ming Dynasty: Su Shirong's poems depict a common people's life is extremely difficult, and the lower officials are corrupt and rude, and the author thinks that the poems by Su Shijun and Zheng Shilong have created two distinct images of the Ming Dynasty. The social environment is unstable and the natural environment is harsh and the negative image of Ming Dynasty. Zheng Shilong's poems on the sky have shaped a positive image of Ming Dynasty with strong military power, rich economy, open society and both moral and talented officials. The author believes that the reason for this distinction is that Su Shirong's poems on the sky reflect the poet's special experience-based on his true feelings of the social reality of the Ming Dynasty, while Zheng Shilong's poems evade the social reality of the Ming Dynasty. It reflects the collective imagination of the Korean literati on "the supremacy of China". The different choices to the special experience and the imagination of the social body originated from the difference of ideological consciousness between the scholar-bureaucrat school and the old school in the first half of the 16th century. The new scholar-scholar in the 16th century had a strong social critical consciousness, and the scholar-scholar in the 16th century had a strong sense of social criticism. On the personal level, he inherited Zheng Mengzhou's learning vein, pursued justice, advocated people-oriented thought and kingly politics at the political level, and pursued supremacy. On the other hand, the dying old school has a strong conservative tendency, pursuing hedonism on the individual level, maintaining the status quo on the political level, and maintaining the acquired privileges. Through the study of the image of Ming Dynasty in the poems of Su Shi and Zheng Shilong, the author contrasts the ideological understanding between the Scholars' School and the Old School, and more deeply and comprehensively understands the ideological features of the upper Korean literati in the first half of the 16 ~ (th) century.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I312.072
本文编号：2457842
[Abstract]:In this paper, the representative characters of Korean Pavilion literati in the 16th century, Su Shijun (1486? 1562) and Zheng Shilong (1491? 1570), are taken as the object of study, and the method of comparative literature iconography is used as the research object. Analyze the image of Ming Dynasty in their works. On this basis, we compare the differences between the two images of Ming Dynasty, and explore the causes of the differences. The images of Ming Dynasty are mainly described in Su Shirong's poems: miserable people, rude officials, savage ethnic minorities, prosperous cities and bad natural environment, and the following are the images of the Ming Dynasty: miserable people, rude officials, savage ethnic minorities, prosperous cities and bad natural environment; Zheng Shilong's poems mainly describe the following images of Ming Dynasty: powerful military facilities, prosperous cities, talented officials, attractive women and harsh natural environment. Through a comparative study, the author believes that Su Shijun's and Zheng Shilong's poems create two distinct images of the Ming Dynasty: Su Shirong's poems depict a common people's life is extremely difficult, and the lower officials are corrupt and rude, and the author thinks that the poems by Su Shijun and Zheng Shilong have created two distinct images of the Ming Dynasty. The social environment is unstable and the natural environment is harsh and the negative image of Ming Dynasty. Zheng Shilong's poems on the sky have shaped a positive image of Ming Dynasty with strong military power, rich economy, open society and both moral and talented officials. The author believes that the reason for this distinction is that Su Shirong's poems on the sky reflect the poet's special experience-based on his true feelings of the social reality of the Ming Dynasty, while Zheng Shilong's poems evade the social reality of the Ming Dynasty. It reflects the collective imagination of the Korean literati on "the supremacy of China". The different choices to the special experience and the imagination of the social body originated from the difference of ideological consciousness between the scholar-bureaucrat school and the old school in the first half of the 16th century. The new scholar-scholar in the 16th century had a strong social critical consciousness, and the scholar-scholar in the 16th century had a strong sense of social criticism. On the personal level, he inherited Zheng Mengzhou's learning vein, pursued justice, advocated people-oriented thought and kingly politics at the political level, and pursued supremacy. On the other hand, the dying old school has a strong conservative tendency, pursuing hedonism on the individual level, maintaining the status quo on the political level, and maintaining the acquired privileges. Through the study of the image of Ming Dynasty in the poems of Su Shi and Zheng Shilong, the author contrasts the ideological understanding between the Scholars' School and the Old School, and more deeply and comprehensively understands the ideological features of the upper Korean literati in the first half of the 16 ~ (th) century.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I312.072
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1 魏凯琦;苏世让与郑士龙朝天诗中的明朝形象比较研究[D];山东大学;2017年
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