新疆土尔扈特蒙古族传统袍服图案艺术研究

发布时间:2019-05-19 23:55
【摘要】:土尔扈特蒙古族是一群具有顽强坚韧的民族精神,寄托着美好生活,带着吉祥美好的愿望居住在新疆这片古老而神奇的土地。他们总是将生活和艺术做出最完美的演绎,伴随着悠扬的琴声土尔扈特蒙古人将具有历史渊源、文化底蕴、民间特色、吉祥期盼的图案通过寓意与美术的形式结合起来,表达他们内心对美的感知,在长期的演化发展中形成了颇具民族特色的图案范式,沿用至今凝聚成悠久的袍服文化。袍服上的图案随着历史的变迁,民族的融合,以其独特的地理风貌,民族的生活习性形成了独具特色的民族服饰范式,袍服图案传递着他们民族的文化、信仰、审美,精神。居住在新疆地区的土尔扈特蒙古人历经世事沧桑变化,在生产生活中逐渐形成自身的服饰图案范式,精美华丽的服饰图案蕴藏着草原民族淳朴本真的性格、热情积极的精神追求,表达着新疆土尔扈特蒙古人的情感思维,记录其悠远的情感历程。袍服图案已经成为民间有形的文化遗产,如同一本史诗、一种标记、一种无声的语言刻录着民族的精神,显现了民族的审美精神所在。新疆土尔扈特蒙古族特殊的历史发展过程决定了袍服上的图案的特殊性,而这样的个性也决定了其民族性。本文选择具有典型性的新疆土尔扈特蒙古族的两个地区的袍服图案,对巴音郭楞蒙古自治州、和布克赛尔县进行实地考察,图像资料获取颇丰,重点对袍服图案的装饰艺术特征进行分析;并对新疆不同地区土尔扈特蒙古族,不同年龄、不同身份的服饰图案进行梳理、比较,对所受的文化进行解读,以及浅析本民族所受周边多元文化因素的影响。第一部分绪论,阐述新疆土尔扈特蒙古族袍服图案的研究背景、研究目的、研究意义及研究方法。第二部分阐述了新疆土尔扈特蒙古族袍服的文化背景,分布状况、穿戴特征及精神内涵。第三部分分析新疆土尔扈特蒙古族袍服图案的表达方式、构成形式、色彩表达。第四部分将考察所得的土尔扈特蒙古族袍服图案按巴州地区和和布克赛尔县进行汇总,并对同一地区不同年龄身份的袍服图案,用图表法将图案使用频度、装饰色彩、各地区进行比较分析,并解读其文化内涵。第五部分用图表法将图案使用频度、装饰色彩、各地区进行比较分析,第六部分分别从"哈木尔纹"、"云纹"、"犄角纹"对其进行比较分析土尔扈特蒙古族袍服图案文化的多元性特征。第七部分新疆土尔扈特蒙古族传统袍服图案的传承与运用。
[Abstract]:Tuerhute Mongolian is a group with tenacious and tenacious national spirit, with a good life, with auspicious and beautiful wishes to live in Xinjiang, this ancient and magical land. They always make the most perfect interpretation of life and art. With the melodious piano sound, the Mongolian people will have historical origin, cultural heritage, folk characteristics, auspicious looking forward to the pattern through the form of moral and art. Expressing their inner perception of beauty has formed a pattern paradigm with national characteristics in the long-term evolution and development, which has been condensed into a long robe culture. With the change of history and the fusion of nation, the pattern of robe has formed a unique national dress paradigm with its unique geographical style and features, and the robe pattern conveys their national culture, belief, aesthetics and spirit. The Tuerhute Mongolians living in Xinjiang have undergone the vicissitudes of the world and gradually formed their own clothing pattern paradigm in production and life. The exquisite and gorgeous dress patterns contain the simple and true character of the prairie nation. The enthusiastic and positive spiritual pursuit expresses the emotional thinking of the Mongolian people in Tuerhute, Xinjiang, and records their long emotional course. Robe patterns have become a tangible cultural heritage of the folk, like an epic, a mark, a silent language burning the spirit of the nation, showing the aesthetic spirit of the nation. The special historical development process of the Mongolian nationality in Tuerhute, Xinjiang, determines the particularity of the pattern on the robe, and this personality also determines its nationality. In this paper, two typical robes patterns of Tuerhute Mongolian nationality in Xinjiang are selected, and the field investigation of Bayingol Mongolian Autonomous Prefecture and Buksaire County is carried out, and the image data are obtained quite a lot. Focus on the analysis of the decorative artistic characteristics of robe patterns; It also combs and compares the dress patterns of Tuerhute Mongolians, different ages and different identities in different areas of Xinjiang, interprets the culture, and analyzes the influence of the surrounding multicultural factors on the nationality. The first part is the introduction, which expounds the research background, research purpose, research significance and research method of the Mongolian robe pattern in Tuerhute, Xinjiang. The second part expounds the cultural background, distribution, wearing characteristics and spiritual connotation of Mongolian robes in Tuerhute, Xinjiang. The third part analyzes the expression mode, composition form and color expression of Mongolian robe pattern in Tuerhute, Xinjiang. In the fourth part, the Mongolian robe patterns obtained from the investigation will be summarized according to Bazhou area and Buksaire County, and the robe patterns with different age status in the same area will be used in the chart method to use frequency and decorative color. Each region carries on the comparative analysis, and interprets its cultural connotation. The fifth part uses the chart method to use the pattern frequency, the decoration color, each region carries on the comparative analysis, the sixth part separately from "Hamur grain", "moire", The pluralistic characteristics of Tuerhute Mongolian robe pattern culture are compared and analyzed in the Corner pattern. The seventh part is the inheritance and application of Mongolian traditional robe patterns in Tuerhute, Xinjiang.
【学位授予单位】:新疆师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J523.5

【引证文献】

相关硕士学位论文 前1条

1 苏畅;蒙古族传统服饰纹样在旅游工艺品设计中的应用研究[D];内蒙古工业大学;2018年



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