译介与出版的双重过滤和诠释——谈莫言文学作品在日本的传播

发布时间：2018-01-30 05:47

本文关键词： 莫言日本译介出版　出处：《出版科学》2017年05期 　论文类型：期刊论文

【摘要】：中国当代文学承担着"描述中国和对话世界"的责任。追溯中国著名作家莫言作品在海外的传播历程,可发现日本翻译界和出版界发挥了重要推动作用。日本译介和出版莫言的文学作品始于20世纪80年代,从最初学者于杂志进行作品介绍,至译介后进行诘责,再到著名学者的力捧和推介;从特定出版社的参与,到后期大型综合出版社的介入,莫言作品数十年间在日本的传播走过了由试水、质疑到接受、认同的曲折历程。在这一过程中,对莫言作品的译介和出版逐渐呈现译介书目最多、销售量巨大、译作载体高权威性和高学术性等特征。从这一角度来说,从译介和出版两个层面深入探讨莫言作品在日本近30年的传播情况,对于研究中国当代文学走向世界之历程具有重要意义。
[Abstract]:Chinese contemporary literature bears the responsibility of "describing China and the world of dialogue". It can be found that the Japanese translation and publishing circles have played an important role in promoting the Japanese translation and publication of Mo Yan's literary works, which began in 1980s and was first introduced by scholars in magazines. After translation and introduction, the author accuses them, and then introduces them to famous scholars. From the participation of the specific publishing house to the intervention of the later large-scale comprehensive publishing house, the dissemination of Mo Yan's works in Japan for several decades has gone through a tortuous course from water testing, questioning to acceptance and identification. In this process. The translation and publication of Mo Yan's works gradually presents the features of most translated bibliography, huge sales volume, high authoritativeness and academic translation carrier, etc. From this point of view. It is of great significance to probe into the dissemination of Mo Yan's works in Japan in the past 30 years from the perspectives of translation and publication, which is of great significance to the study of the course of Chinese contemporary literature towards the world.
【作者单位】：湖南科技学院外国语学院;
【基金】：湖南省哲学社会科学基金项目(15YBB037)研究成果
【分类号】：G239.1;H36;I046
【正文快照】： 在很多人的意识中,若中国当代文学承担着“描述中国和对话世界”的责任,那么,与中国共同走过上千年文化交流历程的日本则是中国当代文学最为重要的对外展示平台。在这一展示过程中,中国当代文学经由翻译和出版来实现向世界言说中国的目标。从这一角度来说,探视中国当代文学在

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