中原地区传统民俗禁忌对现代住宅设计的影响以及应用研究

发布时间：2018-03-08 00:24

本文选题：传统居住民俗　切入点：禁忌　出处：《天津大学》2014年硕士论文　论文类型：学位论文

【摘要】：在房地产开发热潮过后,人们对城市住宅的要求日益增高,希望住房能够体现世俗观念的人情味和传统文化的延伸性。这种自身对传统文化的需求,或者说这种文化的断代和隔离在复古文化的浪潮下被重新唤醒。在现代城市中,用户希望购买能够满足传统民族禁忌习俗的房产。这就要求新时代的建筑师在住宅设计时有新的态度和新的思想,把传统的民居禁忌与现代住宅设计相结合,满足市场的需求和时代的发展。目前,许多设计人员观念还没有转变过来,不屑于了解和学习所谓的禁忌习俗,更不愿意在设计时为避免某种禁忌而做出让步。我们的设计人员不仅对禁忌没有正确的认识,也没有深入系统得了解。民俗是人类社会独有的精神文明。它的形成和来源是原始先民对自然事物的原始崇拜和对未知事物的恐惧。随着原始社会制度的发展成为具有行为规范意味的法令。如果玷污了神物或者亵渎了神物,会被诅咒,招致不幸。不吉利的物品不许随便接触,否则沾染了邪恶肮脏的事物,同样会招致不幸。禁忌渗透到人们生活的各个方面,其中居住民俗禁忌对中原汉族文化地区民居的影响深远。传统民居中从选址到建房;从设计到施工;从平面布局到立面装饰;从大格局到小细节都被民俗禁忌影响着。探其根源,居住禁忌的本质是人们趋吉避凶的美好愿望,以实践经验指导着人们自我保护,同时反映着社会制度和宗教信仰。在现代社会中民俗禁忌的市场认同度仍然较高,设计师在工作中也遇到许多有关民俗禁忌的问题,需要设计人员的密切关注。对比分析传统居住禁忌和现代居住禁忌在房屋总体布局、单体建筑外部空间组织、单体建筑内部空间组织及细节设计、单体建筑色彩装饰设计等方面,其中即有发展的方面,也有改革和淘汰的方面。从古代到现代在经济条件、社会发展、文化冲击、科技时代方面发生的重大改变,这些重大改变都影响着居住禁忌。民俗禁忌是动态发展的过程,其改变是社会发展的缩影。民间禁忌是居住文化不可或缺的部分,是居住条件的评判标准和设计准则。本文通过传统与现代民居禁忌的对比,旨在归纳整理出符合现代社会发展的居住禁忌,希望对设计人员应该在该设计方向上提供一些参考。
[Abstract]:After the upsurge of real estate development, people's demand for urban housing is increasing day by day. They hope that housing can reflect the humanism of secular concept and the extensibility of traditional culture. In other words, the period and isolation of this culture were reawakened in the tide of retro culture. In modern cities, Users want to buy properties that can meet the traditional national taboos. This requires architects in the new era to have a new attitude and new ideas in the design of their houses, combining the traditional taboos with the modern housing design. Meet the needs of the market and the development of the times. At present, many designers have not changed their ideas and do not care to understand and learn the so-called taboo customs. Less willing to make concessions when designing to avoid certain taboos. Our designers not only don't have a correct understanding of taboos, Folklore is the unique spiritual civilization of human society. Its formation and origin are primitive worship of natural things and fear of unknown things. With the development of primitive social system. For a code of conduct. If the God is defiled or desecrated, Cursed and unfortunate. Unlucky things are not allowed to be touched, otherwise they are tainted with evil and dirty things. Taboos permeate every aspect of people's lives. Among them, the folk taboos have a profound influence on the houses in the Han culture areas of the Central Plains. In the traditional houses, they are from siting to building, from design to construction, from plane layout to facade decoration. From the big pattern to the small details are influenced by folklore taboos. To find out the root causes, the nature of residence taboos is people's good desire to seek good fortune and avoid evil, and guide people to protect themselves by practical experience. At the same time, it reflects the social system and religious beliefs. In modern society, the market acceptance of folklore taboos is still relatively high, and designers also encounter many problems related to folklore taboos in their work. It needs close attention of designers. Comparing and analyzing the general layout of the house, the outer space organization of the single building, the interior space organization of the single building and the detailed design of the interior space of the single building, the traditional and modern residence taboos are compared and analyzed. Single building color decoration design, among which there are development aspects, but also aspects of reform and elimination. From ancient to modern in terms of economic conditions, social development, cultural shock, scientific and technological era of major changes, These major changes affect the living taboos. Folklore taboos are a process of dynamic development, and their changes are the epitome of social development. Folk taboos are an indispensable part of the residential culture. Based on the comparison between traditional and modern residential taboos, this paper aims to summarize the living taboos in line with the development of modern society, hoping to provide some references for designers in the design direction.
【学位授予单位】：天津大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU241

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