莎士比亚喜剧《温莎的风流娘们》对话中不礼貌现象的语用文体研究

发布时间：2018-05-16 13:50

本文选题：莎士比亚 + 《温莎的风流娘们》　；参考：《南昌大学》2017年硕士论文

【摘要】：威廉·莎士比亚的喜剧作品有着珍贵的文学价值与语言学意义,因此众多学者对莎翁作品非常重视、兴趣深厚。然而近些年针对莎士比亚戏剧的研究主要集中在文学层面,鲜少有学者从语言学的视角进行剖析。即使有少量研究也都颇具局限性。基于戏剧对话阐述礼貌语言功能的研究不胜枚举,然而少有从戏剧对话角度对不礼貌语言的功能进行研究。因此造成了礼貌研究与不礼貌研究的严重失衡。此论文基于Bousfield的不礼貌模型深入分析威廉·莎士比亚的喜剧--《温莎的风流娘们》里人物对话中的不礼貌现象,从而阐释其带来的语用文体功能。此研究致力于从语言学视角来解读一个条理清晰且语言丰富的文学作品。即使有部分文章或作品从理论层面引入了Bousfield的不礼貌模型,此模型还是鲜少被深入应用于莎士比亚喜剧作品的分析。从语言学视角出发的不礼貌研究致力于采用此模型来赏析文学作品,能够带来对文学作品更精确的解读以及对语言的功能有更清楚的认知。在Bousfield的不礼貌框架下的本研究主要发现如下:(1)不同性格及权势的说话人采取不同的不礼貌策略,并且不同的冲突就是通过这些不同的不礼貌策略反映出来;(2)说话者可以采取不同的直接不礼貌策略、间接不礼貌策略,抑或是单独使用一种或者多种结合来实现面子威胁效应;(3)本研究发现Bousfield的不礼貌模型在三个维度具有强大解释力,例如话语层面、语篇层面以及话轮转换体系;(4)本研究展示了不礼貌和不礼貌策略在《温莎的风流娘们》中的三个主要语用文体功能,例如塑造角色并暗示人际关系、制造冲突并推动情节发展以及带来幽默效果。该研究兼具理论意义与实际意义。从理论角度来看,该研究不是对Bousfield的不礼貌模型的简单罗列,而是基此观点细致分析了文本中所出现的各种不礼貌现象,并且将不礼貌研究从微观的单句层面拓展至宏观语篇甚至话轮体系中,这较之之前的不礼貌研究有了创新之处。从实践角度,本研究为戏剧对话的赏析提供了一个新的视角,而且还有利于更好地理解日常交际中的不礼貌现象,这样才能有效处理冲突,创造和谐的人际关系。
[Abstract]:William Shakespeare's comedy works have precious literary value and linguistic significance, so many scholars attach great importance to Shakespeare's works and have deep interest in them. However, in recent years, the research on Shakespeare's plays is mainly on the literary level, and few scholars analyze it from the perspective of linguistics. Even a small amount of research is limited. There are too many studies on the function of politeness language based on drama dialogue, but there are few researches on the function of impolite language from the angle of drama dialogue. As a result, there is a serious imbalance between politeness research and impoliteness research. Based on Bousfield's model of impoliteness, this paper makes a thorough analysis of the impoliteness phenomenon in the character dialogue in William Shakespeare's comedy "Windsor's Showtime", so as to explain its pragmatic stylistic functions. This study aims to interpret a coherent and linguistically rich literary work from a linguistic perspective. Even though some articles or works have introduced Bousfield's model of impoliteness from the theoretical level, this model has rarely been deeply applied to the analysis of Shakespeare's comedy works. The study of impoliteness from a linguistic perspective aims at using this model to appreciate literary works, which can lead to a more accurate interpretation of literary works and a clearer understanding of the functions of language. Under the framework of Bousfield's impoliteness, the main findings of this study are as follows: (1) different personalities and powerful speakers adopt different impoliteness strategies. And different conflicts are reflected by these different impoliteness strategies) the speaker can adopt different direct impoliteness strategies and indirect impoliteness strategies. The present study finds that Bousfield's impoliteness model has strong explanatory power in three dimensions, such as discourse level. The present study demonstrates the three main pragmatic stylistic functions of impoliteness and impoliteness strategies in Windsor's Winsonian, such as portraying roles and implying interpersonal relationships. Creates conflict and promotes plot development and humor. This study has both theoretical and practical significance. From a theoretical point of view, this study is not a simple list of Bousfield's impoliteness model, but a detailed analysis of all kinds of impoliteness phenomena in the text. Furthermore, the study of impoliteness is extended from the micro level of single sentence to the macro discourse and even the system of turn, which is more innovative than the previous study of impoliteness. From a practical point of view, this study provides a new perspective for the appreciation of drama dialogue, and is also conducive to a better understanding of the phenomenon of impoliteness in daily communication, so as to effectively deal with conflicts and create harmonious interpersonal relationships.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：H313

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