双重书写:非母语再创与译入语创译——以葛浩文英译阿来《格萨尔王》为例

发布时间：2019-03-27 17:32

【摘要】：藏族英雄史诗《格萨尔王》经口头传承和文本书写多渠道民间创作和多元文化共同模塑流传至今。藏族作家阿来以汉语写作方式对《格萨尔王》进行再创,其作为重述神话的《格萨尔王》小说汉语本又由美国翻译家葛浩文翻译为英语。文章以民族史诗《格萨尔》的故事新编与异域传承为个案,通过对阿来重塑神话的非母语再创实践与葛浩文其人其译对当代中国文学经由英语翻译走向世界的描述,分析了民族史诗在由藏语母体到汉语文本再到英语文本的非母语再创和译入语创译的双重书写和二度翻译中,文本经历的多重阐释与文化转码,探析了在重塑神话的文学实践话语以及中国文学"走出去"的国家话语中,类似于再创与创译的双重书写对中国文学"走出去"的理论价值与实践意义。
[Abstract]:The epic of the Tibetan hero, "King Gesar," has been circulated and circulated through various channels of folk creation and multi-culture through oral inheritance and text writing. Alai, a Tibetan writer, made a reestablishment in the way of Chinese writing, which, as the restatement of the myth, was translated into English by the translation of the American translator. The article takes the new part of the story of the national epic and the inheritance of the foreign domain as a case, and through the description of the non-native re-creation of the myth and the translation of the Chinese literature to the world through the English translation, This paper analyzes the multi-interpretation and the cultural transcode of the national epic in the double writing and the second-degree translation of the non-native-language re-creation and the translation of the Chinese text from the Tibetan language mother to the Chinese text, This paper analyzes the theoretical value and the practical significance of the double writing of the Chinese literary "Get out of here." in the literary practice discourse and the national discourse of Chinese literary "Get out of here.", which is similar to the double writing of the creation and translation.
【作者单位】：天津工业大学外国语学院;天津师范大学文学院;
【基金】：国家留学基金资助教育部人文社会科学研究青年基金项目:活形态民族史诗《格萨尔》翻译与传播研究(12YJC740107) 中国博士后科学基金项目(2014M551031)的阶段性成果
【分类号】：H315.9;I046

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